The sculpture of the drunkard near the Prie Angelo restaurant, located in the heart of Vilnius’ Užupis district, is a humorous and memorable element of the city’s urban landscape. It reflects the spirit of freedom, irony, and creative boldness that defines this unique artistic neighborhood. Placed near the bridge over the Vilnelė River, the sculpture depicts an elderly man with a bottle, lounging casually on a bench. Executed in a realistic style, it is filled with warmth and philosophical undertones.
This artwork, now considered an unofficial “local resident,” has become a favorite among visitors and locals alike. People take photos with it, sit beside it, and even decorate it during festivals. The sculpture fits perfectly into the Užupis context — the “Republic of Artists,” where the boundaries between art, life, and playful urban culture are joyfully blurred.
The drunkard near Prie Angelo is more than a decorative piece — it is part of a living urban narrative that embraces human imperfection with gentleness, not judgment. It is an example of how public art can convey cultural and emotional meaning while remaining accessible and deeply relatable.