The Asadullayev House is a significant historical and architectural landmark located in the Zamoskvorechye district of Moscow. The building is named after Shamsi Asadullayev, a prominent Azerbaijani oil industrialist and philanthropist who financed its construction in the early 20th century.

The mansion was constructed between 1912 and 1914 according to the design of the architect V. A. Mazyrin. It was conceived as a cultural and educational center for the Muslim community of Moscow, serving as a meeting place and a hub for social and charitable activities. The project reflected the growing economic and cultural influence of entrepreneurs from the Caucasus region in the capital of the Russian Empire.

Architecturally, the building is a notable example of the Neo-Moorish style, which was relatively rare in Moscow. This stylistic choice was a deliberate reference to the cultural heritage of the building's patron and its intended purpose. The facade and interior decoration incorporate oriental motifs, creating a distinctive appearance within the urban context.

Following the Russian Revolution of 1917, the building was nationalized. Throughout the Soviet period, it housed various institutions, which led to significant alterations of its original interior layout. For many decades, it was occupied by the "Druzhba" (Friendship) cinema, which specialized in screening films from the republics of the Soviet Union and other socialist countries.

In the post-Soviet era, the building underwent a major restoration aimed at returning it to its historical and cultural roots. Since 2014, it has housed the Azerbaijan Cultural Center, also known as the Heydar Aliyev Center in Moscow. The institution actively promotes Azerbaijani culture, history, and arts, organizing exhibitions, concerts, lectures, and other public events.

The Asadullayev House stands as a testament to the pre-revolutionary diversity of Moscow and the philanthropic traditions of its merchant class. Today, it continues to function as an important venue for intercultural dialogue and the preservation of cultural heritage, maintaining its original purpose as a center for community and cultural life over a century after its foundation.